Janine Antoni


Momme, 1995. C-Print, edition of 6

Janine Antoni was born in Freeport, Bahamas. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989.

Her work shows nationally and internationally. Antoni has exhibited at numerous major institutions including the Whitney Museum of American Art, New York; Museum of Modern Art, New York; San Francisco Museum of Modern Art; The Mattress Factory, Pittsburgh; the Hirshhorn Museum and Sculpture Garden, Washington, DC; The Reina Sofia, Madrid, Spain; The Irish Museum of Modern Art, Dublin; Magazsin 3 Handelshögskolan, Stockholm; Haywood Gallery, London, Sammlung Goetz, Munich, Germany. She has also been represented in several international biennials such as the Whitney Biennial; Venice Bienialle; Johannesburg Biennial; Kwangju Biennial, South Korea; Istanbul Biennial; S.I.T.E. Santa Fe Biennial: Project 1 Biennial, New Orleans; and Kochi-Muziris Biennale, India.

Antoni is the recipient of several prestigious awards including a John D. and Catherine T. MacArthur Fellowship in 1998, the New Media Award, ICA Boston in 1999, the Larry Aldrich Foundation Award in 1999, an Artes Mundi, Wales International Visual Art Prize nomination in 2004, The John Simon Guggenheim Memorial Foundation Fellowship in 2011, a 2012 Creative Capital Artist Grant, Anonymous Was A Woman Grant in 2014, and A Project Grant from The Pew Center for Arts and Heritage to collaborate with choreographers Anna Halprin and Stephen Petronio at the Fabric Workshop and Museum, Philadelphia for a 2016 exhibition. She currently resides in New York City.

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Lick & Lather, 1993
Two busts: one chocolate and one soap
From an edition of 7 with 1 artist’s proof + 1 full set of 14 busts, 7 of each material
24 x 16 x 13 inches (60.96 x 40.64 x 33.02 cm)

Selected public collections include MoMA, New York, NY; The Whitney Museum of American Art, New York; The Israel Museum, Jerusalem, Israel; Guggenheim Museum, New York, NY; The San Francisco Museum of Modern Art, San Francisco, CA; Art Institute of Chicago, Chicago, IL; Hirshhorn Museum and Sculpture Garden, Washington DC; Magasin 3 Stockholm Konsthall, Stockholm, Sweden; Sammlung Goetz, Munich, Germany; The New Museum, New York, NY; Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway; and The Museum of Contemporary Art, Los Angeles, CA.

Monographs and publications of Antoni’s work include MOOR published by Magasin 3 Stockholm Konsthall and SITE Santa Fe; The Girl Made of Butter published by The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; and JANINE ANTONI published by Ink Tree Edition, Küsnacht, Switzerland.

Janine-Antoni-Umbilical-1

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Umbilical, 2000
Sterling silver cast of family silverware and negative
impression of artist’s mouth and mother’s hand
Edition of 35 and 6 Artist’s Proofs
3 x 8 x 3 inches (7.62 x 20.32 x 7.62 cm)

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Moor, 2001
Installation, mixed media
Variable dimensions

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Moor, 2001
Installation materials used in this section of the rope are:
Dad’s coconut husks, Joe’s blue pants, Rosary beads found
with Doug, Doug’s grandmother’s dish towel, Elizabeth’s
grandmother’s blue and white striped apron, Mom’s fall and
hairnet, Grandmother Gugu’s slip, Red velour Christmas
dress worn by Granny Miana
Currently 326.9 feet (99.63 meters)

http://www.luhringaugustine.com

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2 thoughts on “Janine Antoni

  1. Being a mother of 6 young adult children I would tend to have a different take on this photograph. There are times in life when I know my “children” often wish they could hide away from the world, but it’s no longer possible.

  2. while some people in class seemed weirded out or somewhat disturbed by this image, i find it really comforting. while my mother and i have a fine relationship, neither of us are very touchy-feely people and sometimes i find myself longing just for the comfort of my mother’s arms around me, like when i was little. perhaps that’s something that goes back to the biological connection we have. i think that this image successfully portrays that longing for the unique closeness and protection that only comes in a mother-child relationship.

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