Neil Harbisson

http://www.ted.com Artist Neil Harbisson was born completely color blind, but these days a device attached to his head turns color into audible frequencies. Instead of seeing a world in grayscale, Harbisson can hear a symphony of color — and yes, even listen to faces and paintings.

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John Cage

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“It was at Harvard not quite forty years ago that I went into an anechoic [totally silent] chamber not expecting in that silent room to hear two sounds: one high, my nervous system in operation, one low, my blood in circulation. The reason I did not expect to hear those two sounds was that they were set into vibration without any intention on my part. That experience gave my life direction, the exploration of nonintention. No one else was doing that. I would do it for us. I did not know immediately what I was doing, nor, after all these years, have I found out much. I compose music. Yes, but how? I gave up making choices. In their place I put the asking of questions. The answers come from the mechanism, not the wisdom of the I Ching, the most ancient of all books: tossing three coins six times yielding numbers between 1 and 64.”
–John Cage, 1990

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John Cage “4’33” – Original Performance, 1952

John Cage “4’33”


NOLA The Cat Performs John Cage’s 4’33”

Whitfield Lovell

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Whitfield Lovell is an artist whose poetic and intricately crafted tableaux and installations document and pay tribute to the passage of time and to the daily lives of anonymous African-Americans. Inspired by images from his archive of photographs, tintypes, and old postcards from the end of the Civil War to the beginning of the civil rights movement, Lovell provides these obscure figures with identity and dignity. He creates meticulously rendered, life-sized, charcoal portraits on such wooden objects as sections of walls, fences, or barrels, evoking a haunting sense of their presence. He places these portraits in the context of found, everyday objects — including frying pans, spinning wheels, bed frames, clocks, irons, and musical instruments — to reveal the individual through items related to his or her life. These compelling and seemingly simple installations are informed by contemporary art practice as well as folk art, vernacular art, and the physical conditions of marginalized communities. Creating remarkably elegant works, Lovell evokes memories of the past while transcending the specifics of time and space.

Whitfield Lovell received a B.F.A. (1981) from the Cooper Union School of Art. He taught at the School of Visual Arts in New York from 1987 to 2001 and has been a visiting artist at such institutions as Rice University (1995), the Skowhegan School of Painting and Sculpture (2001), and the Contemporary Art Center of Virginia (2002). Lovell’s work has appeared in numerous solo and group exhibitions at national venues such as the Seattle Museum of Art, the Smithsonian American Art Museum, the Whitney Museum of American Art, and the Metropolitan Museum of Art.

Kin IX (To Make Your False Heart True), 2008 Conte on paper, sterling silver canteen 30 x 22 1/2 x 1 3/4 inches

Kin IX (To Make Your False Heart True), 2008
Conte on paper, sterling silver canteen
30 x 22 1/2 x 1 3/4 inches

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– See more at: http://www.macfound.org

Vik Muniz: Art with wire, sugar, chocolate and string

Brazilian-born, Brooklyn-based fine artist Vik Muniz has exhibited his work all over the world. Using unexpected materials to create portraits, landscapes and still lifes — which he then photographs — he delights in subverting a viewer’s expectations.

Why you should listen to him:
Because he’s self-effacing, frankly open and thought-provoking, all at the same time. Vik Muniz’s explorations into the power of representation and his masterful use of unexpected materials such as chocolate syrup, toy soldiers and paper confetti mean that his resulting images transcend mere gimmickry.

Muniz is often hailed as a master illusionist, but he says he’s not interested in fooling people. Rather, he wants his images to show people a measure of their own belief. Muniz has exhibited his playfully provocative work in galleries all over the world and was recently featured in a documentary entitled “Waste Land,” screened at the 2010 Sundance Film Festival. The film follows Muniz around the largest garbage dump in Rio de Janeiro, as he photographs the collectors of recycled materials in which he finds inspiration and beauty. Describing the history of photography as “the history of blindness,” his images simply but powerfully remind a viewer of what it means to see, and how our preconceptions can color every experience.

http://www.vikmuniz.net

Jacob’s Ladder

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After returning home from the Vietnam War, veteran Jacob Singer (Tim Robbins) struggles to maintain his sanity. Plagued by hallucinations and flashbacks, Singer rapidly falls apart as the world and people around him morph and twist into disturbing images. His girlfriend, Jezzie (Elizabeth Peña), and ex-wife, Sarah (Patricia Kalember), try to help, but to little avail. Even Singer’s chiropractor friend, Louis (Danny Aiello), fails to reach him as he descends into madness.

Release date: November 2, 1990 (USA)
Director: Adrian Lyne
Budget: 25 million USD
Screenplay: Bruce Joel Rubin
Music composed by: Maurice Jarre